Foregrounding Politics in Yorùbá Written Poetry: A Discourse Stylistic Perspective on Party Politics, Thuggery and Electoral Reformation in Dúró Adélékè’s Aṣọ Ìgbà

Authors

  • IBRAHIM, Wahab Adegbayi Author
  • SULAIMAN, Fatai Author

DOI:

https://doi.org/10.64348/zije.2026331

Abstract

This study examines the foregrounding of political themes in modern Yorùbá written poetry through a discourse-stylistic analysis of Dúró Adélékè’s Aṣọ Ìgbà (1997). Employing an integrated framework that combines stylistics and critical discourse analysis with Yorùbá indigenous poetics, the research investigates how linguistic and rhetorical devices repetition, proverb, moral binaries (ìwà rere vs. ìwà búburú), rhetorical questioning, imperative mood, and eschatological warnings critique the pathologies of party politics, political thuggery, electoral malpractice, and leadership irresponsibility in late twentieth-century Nigeria. The analysis reveals that Adélékè discursively constructs politics as a moral domain, where corruption, thuggery, and rigged elections constitute ìwà búburú that destabilize communal harmony (àlàáfíà) and undermine democratic legitimacy. Stylistic foregrounding serves dual purposes: denunciation of systemic vices and implicit prescription of ethical reformation through vigilant citizenship, divine accountability, and restoration of just governance. Drawing on selected poetic excerpts, the study demonstrates how the poet employs culturally resonant discourse to expose the complicity of party structures in violence and deceit while advocating for electoral integrity as a pathway to societal renewal. The findings position Aṣọ Ìgbà as a significant socio-political text within Yorùbá literary tradition, functioning simultaneously as critique, moral instruction, and call for democratic reform in a context marked by recurring electoral crises.

References

Adélékè, D. (1997). Aṣọ Ìgbà. Ibadan: Stirling-Horden Publishers.

Fairclough, N. (2010). Critical discourse analysis: The critical study of language (2nd ed.). Routledge.

Leech, G. N., & Short, M. (2007). Style in fiction: A linguistic introduction to English fictional prose (2nd ed.). Pearson Longman.

Salau, A. O. (2020). The poetics of politics in contemporary Yorùbá poetry: A study of selected poets [Doctoral dissertation, University of Ibadan]. University of Ibadan Repository.

Ọlátúnjí, O. (1984). Features of Yorùbá oral poetry. University Press Plc.

Ọṣundare, N. (1990). The writer as righter. Hope Publications.

Abíọ́dún, A. (2005). Alọ́n lọ. Lagos: Concept Publications.

Àjànàkú, A. (2008). Orin Ewúro. Ibadan: Kraft Books.

Falola, T., & Heaton, M. M. (2008). A history of Nigeria. Cambridge University Press. (For contextual background on June 12 crisis and political instability)

Ojaide, T. (2009). Examining canonization: The postcolonial poet as a “social” poet. In Theorizing African oral poetic performance and aesthetics (pp. 45–62). Africa World Press.

Adejunmobi, M. (2015). Nigerian video films and the politics of representation. In Nollywood: The creation of Nigerian film industries (pp. 123–145). Indiana University Press. (Relevant for broader socio-political literary discourse)

Downloads

Published

2026-03-06

How to Cite

Foregrounding Politics in Yorùbá Written Poetry: A Discourse Stylistic Perspective on Party Politics, Thuggery and Electoral Reformation in Dúró Adélékè’s Aṣọ Ìgbà. (2026). Federal University Gusau Faculty of Education Journal, 6(2), 338-348. https://doi.org/10.64348/zije.2026331